Made registration email address case-insensitive.Ĭhanged registration reminder (nag screen) to only show up once per day.įixed registration issue on PowerPC-based Macs. Fixed the “strength” parameter reversal on the Mac version. Ported plug-in to work on 64-bit Windows Photoshop installations (XP 64 or Vista 64). Ported plug-in to work in 64-bit mode with Photoshop CS5 on Mac OS X 10.6 (Snow Leopard). The Mac version is now also signed with an Apple Developer ID and notarized by Apple, eliminating security warnings on MacOS Catalina and later. Settings, including license information, are now saved in a manner that is compatible with both Photoshop and Affinity Photo. (Mac-only update) Apple M1 silicon Mac compatibility.Īffinity Photo compatibility. Updated the MacOS and Windows installers to add installation for Affinity Photo 2. They can sometimes be made to work, but tens or even hundreds of background points must be marked for the tool to build an adequate mathematical model of the gradients.įor more details, check out the GradientXTerminator tutorials and manual.Įnabled 32-bit image processing for Affinity Photo 2. But for complex gradients that arise from multiple stray light sources and flat-field calibration errors, these tools are less than convenient. This was a great leap forward and produced much improved results. More recently, tools have become available that allow the user to tell the software what parts of the image are background by placing small markers on the image. A bright galaxy in the center of an image, for example, would “fool” the software, resulting in a dark halo around the galaxy. This was usually detrimental, since the software could not easily differentiate between background areas and actual objects. In the past, image processing programs have tried to correct gradients by automatically determining how they affected an image. Gradients, whether caused by light pollution or image calibration errors, have always been a problem with amateur astronomical imaging. And assuming you already use Photoshop in your work flow, you may now have one less program to transfer your image into. It easily tackles large-scale gradients from light pollution, but can also handle vignetting and even tricky edge, corner, and circular gradients that are very hard to deal with otherwise. It can process 32-bit, 16-bit, or 8-bit images, grayscale or RGB color. In the Layers panel, select the mask's thumbnail.GradientXTerminator is a gradient removal plug-in for Photoshop and Affinity Photo that is fast and easy to use.Vector masks can be used layer to layer, layer to object, object to layer, or object to object (as above). The mask of the object is applied in a "crop to top object" operation. The thumbnail of the target object changes to indicate that a mask and crop have been applied. -click the object and select Mask to Below, if the object to be masked is directly below the masking object.In the Layers panel, drag the created object entry directly onto the thumbnail of another 'target' object.Draw a vector object, e.g., a line or shape, which is to be your mask.A red line over the thumbnail indicates that the mask is disabled. Alternatively, the mask can be moved onto an object, applying the mask just to that object. From the Layers panel, click Mask Layer.īy default, a created mask layer is applied to the current layer, but it can be moved by dragging outside the current layer, applying the mask to all layers below.You can take advantage of brush tools in Designer or Photo Persona for brush-based masking. Mask layers can have a unique blend mode assigned. Areas of an adjustment layer can be revealed or hidden in the same way as with a mask layer. Try drawing a gradient (with Fill Tool) across a mask layer and assign different grayscale levels or opacity to end stops to experiment.Īdjustment layers also have mask layer properties. Once a mask layer is created, you can apply different levels of grayscale or opacity to the mask layer-apply White (or 100% Opacity) to reveal apply Black (or 0% Opacity) to conceal apply intermediate grayscale levels for partial masking. They can also be clipped to individual objects so that only that object is affected. Masks can be freely edited and moved, and affect any object below them within the same parent layer. This is governed by the mask layer's positioning in the layer stack. Masking can be applied at any level in the Layers panel-as an independent mask layer, applied to a specific layer (or child layer), to groups, or to individual objects. Layer mask with radial gradient (0-100% opacity) applied to picture frame The non-destructive power of masking
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |